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The Declining Winter – The Future Sound of Hip Hop Parts 1 and 2

The Declining Winter - The Future Sound of Hip Hop Parts 1 & 2The Declining Winter is the musical project of Richard.Vincent Adams of Leeds UK, the co-founder of the continuing group Hood and a full time stricken office worker. This record features contributions from Chris Cole (Many Fingers, Matt Elliott) and Chris Adams (Hood, Bracken, Downpour). It is influenced by (but probably sounds nothing like) the music of Low, The Durutti Column, Songs of Green Pheasant and early Microdisney as well as the myriad sounds of J Dilla and associates.

This record is packaged in 100% recycled materials. All packaging comes from old unsold records, unwanted packaging and unused photos. The inner bags are made from partly recycled materials.

Limited to 200 copies, with the first 50 copies coming with a bonus 3″ cd of remixes courtesy of Epic 45, Remote Viewer, Part Timer and Northstation.

Songs

  1. yorkcitythree
  2. We Use to Read Books

This record is out of print, but you can listen to it on Last.fm.


Reviews

Norman Records
It’s finally here!! After months and months of waiting The Declining Winter single is here and what a joyful beast it is. The Future Sound of Hip Hop Parts 1 and 2 is a total breathe of fresh air hovering above a stagnant pool of filthy gassy music. We have 2 tracks of pastoral beauty on this 7″ from founding Hood member Richard Adams. Musically it’s very much like Hood with it’s wonky lazy sounding acoustic guitar and a simple drum beat (with nice added dub effect). If that wasn’t enough the bass line bobs along extremely successfully. There’s some nice chinese sounding sounds in ‘part 1 yorkcitythree’ which lift the mood slightly though it lives in a permanent state of falling down around itself as it’s possibly the most shambing thing I’ve heard in a while. It’s an absolutely beautiful piece of music though. Both sides are absolutely glorious and initial copies come with a bonus 3″ CD featuring remixes from Part Timer, The Remote Viewer, Northstation, Epic 45 etc.

Boomkat
Now there’s an eyebrow-raisingly bold title, if ever there was one. Given the sort of personnel involved with this project you suspect there might be more than a hint of irony involved. The Declining Winter is the solo project from Richard Adams of Hood, who calls upon a number of likeminded souls such as his brother and fellow Hood-ite Chris, and Many Fingers’ Chris Cole. The two tracks on this 7″ are beautifully rendered snapshots of a kind of rustic rethink of what hip hop might sound like if you happened to live in Wetherby. The instrumental A-side, ‘Yorkcitythree’ could easily be considered to be a new Hood song, fusing a delapodated drum sound with wistful acoustic guitar arpeggiations whilst flickers of dulcimer add further colour and texture to the mix. Equally beautiful is B-side ‘We Used To Read Books’, a slightly more upbeat affair complete with backwards vocal passages melted into a slow, languid drum pattern and more of that instantly recognisable acoustic guitar work that’s so characteristic of Hood’s mournful compositions. This release comes with a handmade sleeve made from 100% recycled materials and is limited to just 200 copies, each one with its own unique photo on the sleeve. Highly recommended – ESSENTIAL PURCHASE!

Northerner – There’ll Be Other Holidays CDep

Northerner - There'll Be Other Holidays cdepReleased 18 February 2008. Idlemoor, Bradford’s very own Northerner produces exquisite layered instrumental pieces influenced by Durutti Column, Labradford, Erik Satie, This Mortal Coil and Rachel’s. It’s gentle neo-classical evocations met with haunting electronic lullabies to create the perfect music for staring out of the window to on cold winter days.

Songs

  1. Satie
  2. Sameold
  3. No Gloom
  4. Mule
  5. May Day
  6. Looking Up
  7. UV

Order this CD from Misplaced Music or download it from Northerner - There'll Be Other Holidays


Reviews

Norman Records
Single of the week. This is a beauty. Recalling Labradford & Manual, you get some quality drifting escapism on this highly limited CDr on Misplaced Music. Even spots of Yellow 6 but much less constrained by a style than that. Simple, understated beats, gliding textures & manipulated guitars prevail to provide us, the mere listener, with an all enveloping aural hug. Or an audio mug of creamy chocolate with extra chocolaty bits sprinkled on. I’m well taken with the twinkling atmospherics on here. The sheer scope of sound is multi dimensional & very comforting. Track 4 is up there with the very best stuff coming out on Infraction, just gorgeous, suspended ambient bliss with a smooth, worry-free brow. The guitar textures on brief track ‘May day’ could easily prop up a voice such as Richard Hawley’s (this music is a bit better than the somewhat sentimental gush he’s throwing in our face these days) Seven varied and compulsive tunes later, you get the idea this Northerner fella has a passionate understanding of music & knows what buttons to press indeed. Simply divine!

Gareth S. Brown – Iron Henry CD

Gareth S. Brown - Iron Henry cdGareth S. Brown, formerly known as The Unpleasants (whom you may recall from Misplaced Pets), has also been a long time member of Domino Records recording act Hood. With influences as diverse as Eastern European folk music, funeral marches and jewellery boxes, Iron Henry is a gorgeous work of layered beauty with nods towards Philip Glass, Terry Riley and Michael Nyman as well as latter day travellers such as Max Richter, Yann Tiersen and Aphex Twin.

Songs

  1. 1st Cabinet: Iron Henry/Keys
  2. The Turbulent Syrup of Ambition
  3. Interlude: Whitby Museum
  4. On Lake Above Thee
  5. Teeth of Living Coral
  6. 2nd Cabinet: Frozen Charlottes
  7. Worms
  8. Tempest Prognosticator
  9. A Nose-Mounted Observatory (of My Other Eye)
  10. Sea Bishop
  11. Hand of Glory

Order this CD from Misplaced Music or download it from Gareth S. Brown - Iron Henry


Reviews

I’d Rather Be Fat Than Confused
This is the sound of something sinister, the sound of trouble brewing, the falling of leaves as a gunshot clears a tree full of black crows, this is something special.

Gareth S Brown is formerly of the band Hood a band I always felt would’ve been better had they been slightly less productive, forever releasing songs yet rarely reaching the giddy heights of what till this day remains one of my favourite songs, namely (the weight), if you need proof that good things come to those who wait look no further than Iron Henry, an ongoing project mixing some extraordinary ideas and naming amongst its influences “…funeral marches and jewellery boxes” this is the sound you read about when you read reviews of Colleen, a fragile beauty, so secret its kept in a box but when its allowed out it twinkles like the stars. 1st Cabinet: Iron Henry/Keys, Teeth of Living Coral and Tempest Prognosticator stand out, the latter like a mini orchestra as conducted by tin soldiers, the gentle bells contrasting with the slow deep strokes of the cello creating something really quite wonderful and otherworldly. Teeth of Living Coral takes it cue from Amelie, the hustle and bustle of the streets of Paris, speeded up and sprinkled with the magic that makes Paris such a fairytale place. Along with Detectiv Byron you will struggle to find another album quite so unique and beautiful this year, if you love Big Eyes, Fortdax & Adrian Klumpes, you will adore this.

Sandman Magazine
There’s nothing like a good first impression, is there? Coming from an independent record label called Misplaced Records [sic] and being recorded by someone who lists jewellery boxes as an influence, you’d be forgiven for thinking that Iron Henry might be odd. Forgiven, because you’d be right.

Gareth S. Brown has perfored and recorded twelve tracks of what could only be described as post-rock i.e. no singing. But whereas some bands make the music and miss the point, Mr. Brown has managed to capture the spirit of post-rock by producing a concept album without a concept or a story.

Beginning with the minimally fitting ‘The Turbulent Syrup of Ambition’, we embark on a journey that takes us through the nineties ambience and seventies experimentation, through beautiful string orchestrations and the subtle chimes of music boxes. It is very beautiful, very epic and needs to be listened to repeatedly. Soft lighting music.

Jumbo Records
Superb solo album by Gareth S. Brown of Hood. A mixture of post-electronic, classical and British/East European folk. Highly recommended.

Norman Records
The mood is euphoric melancholy. Untouchable neo classical beauty that expresses itself in many forms. Playful, layered, twinkling lullabies fall into somber electronics… album of the week.